
Joe Jackson Announces Hope And Fury New Album And 2026 Tour
Joe Jackson Announces
Hope And Fury
New Album And 2026 Tour
“File under Bicoastal LatinJazzFunkRock”
Joe Jackson
Plus Support
Cork City Hall, Cork- Thursday 24th September 2026
3Olympia Theatre, Dublin- Sunday 27th September 2026
Doors 7pm
U14s with adult 18+
Tickets on sale Friday 14th November at 10am
Often depicted as a chameleonic artist who constantly ‘changes his style,’ Joe Jackson insists that most of his albums are in ‘his own mainstream’ – collections of sophisticated pop songs, using different kinds of rhythms and combinations of instruments. Joe Jackson has just announced his highly anticipated shows in Cork City Hall, Cork on Thursday 24th September and the 3Olympia Theatre, Dublin on Sunday 27th September 2026.
TICKETS €40.70- €49.90 (INC BOOKING FEE & VENUE RESTORATION LEVY)- DUBLIN
TICKETS €48.40 (INC BOOKING FEE)- CORK
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BOOKINGS SUBJECT TO 12.5% SERVICE CHARGE PER TICKET (MAX €10.50)
Hamburg, November 11th, 2025 – “Hello cruel world / I’m not going away / So I might as well have my say,” sings Joe Jackson on his new album, and there’s no doubt that at a point when many of his contemporaries have lost their passion, their talent, their voices or even their lives, Jackson goes from strength to strength. Hope and Fury might, in fact, just be his best album yet. The new album will be released worldwide on April 10, 2026. To accompany the release, Joe Jackson and his band will embark on a major North American tour from May to July 2026, followed by an extensive European run from September to December. In total, the Grammy-
winning artist will perform 80 shows across 14 countries. A Return to Joe Jackson’s “Own Mainstream” Though often depicted as a chameleonic artist who constantly “changes his style,”
Jackson insists that most of his albums are in “his own mainstream” collections of sophisticated pop songs, using different kinds of rhythms and combinations of instruments. At the same time, Jackson reserves the right to step away from that mainstream. As he said in a rare recent interview for the UK’s Chap magazine, “I always knew I was in this music thing for life. So every now and again I’m going to do something different, to keep it interesting.” Jackson’s most recent “sidestep,” Mr. Joe Jackson presents Max Champion in ‘What A Racket!’ saw him hilariously channelling a forgotten Music Hall entertainer from Edwardian England.
After laying the groundwork for the album in Michael Tibes’ Fuzz Songs Full of Contrast, Humour and Heart Factory studio in Berlin, Jackson returned to New York’s Reservoir Studios with co-producer Patrick Dillett and assembled his on-and-off band since 2016 — “bassist for life” Graham Maby, guitarist Teddy Kumpel, and drummer Doug Yowell — augmented by the Latin percussion of Peruvian native Paulo Stagnaro. The result might strike a fan as a cross between 2019’s Fool, 1991’s Laughter and Lust, and 1982’s Night and Day. Like those albums, Hope and Fury overflows with great tunes, clever and original lyrics, and funky grooves, with Jackson’s vocals and keyboard playing as strong as, if not stronger than, they’ve ever been. In keeping with the title (an ironic twist on Land of Hope and Glory), this is a more English Joe Jackson than we’ve seen for quite a while (the Max Champion influence, perhaps?), with some songs suggesting a love/hate relationship with his homeland. Opening track Welcome to Burning-By-Sea describes a fictional seaside town inspired by Brighton and Jackson’s hometown Portsmouth but turns out to be a microcosm of the whole country, while End of the Pier ingeniously contrasts a slice of British working-class life in 1922 with a post-pandemic version in 2022.
For that matter, this is an album full of contrasts, but it’s mostly upbeat, with the trademark JJ humour much in evidence: from biting sarcasm in I’m Not Sorry and playful mockery in Fabulous People to pure silliness in Do Do Do. In The Face, an Everyman character finds himself lost in an angry and polarized political climate: “Not one of the Great Unwashed” but “One of the Great Overwhelmed.” Two other songs are in Jackson’s oft-cited “bittersweet” melodic mode: Made God Laugh expresses a kind of happy, grown-up fatalism about life in general, while After All This Time is a similar take on a long-term relationship. The album also follows a Joe Jackson tradition by ending with a slow ballad — this time one of his most beautiful, See You in September.
Joe Jackson is definitely not going away. Dividing his time between New York City and Portsmouth UK, Jackson describes himself as “bicoastal” both geographically and musically — and Hope and Fury as Bicoastal LatinJazzFunkRock. Stay tuned, new music will be released soon!
About Joe Jackson
Joe Jackson was born on August 11 1954 in Burton-on-Trent, England, but grew up in the South Coast naval port city of Portsmouth at age 16 Joe played his first paying gig, as pianist in a pub next door to a glue factory just outside of Portsmouth. This was followed by other pub gigs (in which he was often trying to entertain crowds of drunken, bottle-throwing sailors) and accompanying a bouzouki player in a Greek restaurant. At age 18 Joe won a scholarship to study Composition, Piano, and Percussion at London’s Royal Academy of Music. By 1978 Joe was living in London and hawking an album-length demo, with his own band (Graham Maby, Bass; Dave Houghton, Drums; Gary Sanford, Guitar) standing by. That demo ready called Look Sharp eventually found its way to American producer David Kershenbaum, who was in London in the capacity of talent scout for A&M Records. Joe was immediately signed and Look Sharp more professionally re-recorded in August ’78. The Joe Jackson Band finally started to play regular gigs and the album was released in January 1979.
Joe Jackson’s story up to this point is much more fully, fascinatingly, and hilariously recounted in his book A CURE FOR GRAVITY. Look Sharp was followed within a year by the very similar I’m The Man, and in 1980 by the darker, more reggae-influenced Beat Crazy. In 1981 Jackson recorded Jumpin’ Jive, a ‘musical vacation’ paying tribute to Swing and Jump Blues artists such as Louis Jordan and Cab Calloway. Returning to songwriting, Joe spent a large chunk of 1982 in New York. The result was Night and Day, a more sophisticated and melodic record built around keyboards and Latin percussion, rather than guitars. With a new guitar-less band, Jackson hit the road for a whole year, and the album became his biggest success, going platinum in the US.
Jackson’s next album Body and Soul(1984) were in a similar vein to Night and Day but featured a horn section (which, along with the Blue Note-inspired cover art, led many people to wrongly assume he’d made a jazz record). For Big World (1986) Jackson stripped everything down to a 4-piece again, and recorded live, direct to 2-track master. In 1989 he went in the opposite direction with the majestic, semi-autobiographical Blaze of Glory, and toured with an 11-piece band. Laughter and Lust (1991) was more like a mainstream (though still idiosyncratic) rock record, but yet another lengthy world tour left Jackson exhausted and at a creative dead end. As he sees it, his workaholic phase, which also included several film scores, a live album (Live 1980-86), an instrumental album (Will Power, 1987), guest appearances with Suzanne Vega, Ruben Blades and Joan Armatrading, and endless touring was over. The 1990s brought some of his most challenging and eclectic works: the gentle, soul-searching Night Music (1994), the ambitious and original song-cycle based on the Seven Deadly Sins, Heaven and Hell (1997), and the album Joe considers his best (and most underrated): Night and Day II (2000). The turn of the century saw a burst of creativity: Jackson won his first Grammy (Best Pop Instrumental Album for the non-traditional, non-orchestral Symphony No.1) and published his book A Cure For Gravity.
In 2003 Joe reformed the original Joe Jackson Band for a stunning new album, Volume 4, and a lengthy tour. The reunion was always intended as a one-off, but it also produced a live album, Afterlife, in 2004. He was also awarded a Fellowship by the Royal Academy of Music and an Honorary Doctorate by the University of Portsmouth. Having failed to happily re-establish himself in London, he moved to Berlin, where his next album Rain was recorded in 2007. Consisting of ten powerful, timeless new songs, Rain creates a surprisingly epic sound with just voices, piano, bass and drums. The trio toured for the next three years. A live album, Live Music, was released in 2011.
In 2012 Joe released a tribute to one of his greatest musical heroes, Duke Ellington. The Duke is an often radical re-interpretation of fifteen Ellington classics, arranged into ten tracks, and featuring an eclectic roster of guest artists including Iggy Pop, Ahmir ‘Questlove’ Thompson and other members of The Roots, Sharon Jones, Steve Vai, and jazz violin star Regina Carter, who joined Joe on the subsequent tour. In 2015, Jackson announced the completion of his follow-up to The Duke. The album’s title, Fast Forward, and track list were confirmed in addition to North American tour dates. The titular first single was released for streaming via his official SoundCloud page.
On 18 January 2019, Jackson released the album Fool. Jackson said about the album on his website: “One of my inspirations for this album was the band I’ve been touring with on and off for the last 3 years. I’ve had many different line-ups, but this one is special.” Jackson and the band performed “Fabulously Absolute” on Jimmy Fallon’s Tonight Show on 21 January 2019. Fool debuted in the top 20 album charts in Holland, Belgium, Germany and Switzerland. In the US, it debuted at No. 25 on Billboard’s Top Album Sales Chart. In the UK, it entered the Indie Albums Chart at No. 13.
After a Covid induced layoff Joe toured the US and Europe in 2022 for a tour named “Sing, You Sinners!” featuring songs from his catalogue plus a few select covers. The tour featured his band Graham Maby on Bass, Teddy Kumpel on Guitar and Doug Yowell on Drums. Joe toured during 2024 touring both the US and Europe.
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